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Grab Samsung’s fantastic T7 portable SSD for 50% off

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Samsung T7 Portable SSD

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, Contributing Writer

Gabriela has focused on tech writing for 12 years, covering news, reviews, buying guides, deals, and more. She has bylines in numerous consumer tech publications, including PCWorld, Macworld, PCMag, IGN, MakeUseOf, XDA, Android Police, and Pocket-lint.

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ChatGPT has its own AI search engine now

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chatgpt search logo

Image: OpenAI

, Staff Writer, PCWorld

Michael is a 10-year veteran of technology journalism, covering everything from Apple to ZTE. On PCWorld he’s the resident keyboard nut, always using a new one for a review and building a new mechanical board or expanding his desktop “battlestation” in his off hours. Michael’s previous bylines include Android Police, Digital Trends, Wired, Lifehacker, and How-To Geek, and he’s covered events like CES and Mobile World Congress live. Michael lives in Pennsylvania where he’s always looking forward to his next kayaking trip.

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Watch this modder convert Windows 10 to Windows 7 in 17 minutes

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Windows 7 Box

Image: Friemann / Shutterstock.com

This article originally appeared on our sister publication PC-WELT and was translated and localized from German.

, Staff Writer, PC-WELT

Laura is an enthusiastic gamer as well as a movie and TV fan. After studying communication science, she went straight into a job at PCMagazin and Connect Living. Since then, she has been writing about everything to do with PCs and technology topics, and has been a permanent editor at our German sister site PC-WELT since May 2024.

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Windows gets Linux’s sudo superpower: Here’s how to turn it on

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Erster Blick auf die neue Terminal-App für Windows 10

Image: Microsoft

This article originally appeared on our sister publication PC-WELT and was translated and localized from German.

, Contributor

Thomas Joos has 40 years of experience in the IT industry and has established himself as a freelance author and expert in the areas of networks, security, business software, artificial intelligence and operating systems. His extensive work includes more than 100 books, including publications for Microsoft Press. In addition to his writing work, Joos offers consulting services for companies, especially in the areas of security and network infrastructure. As a trainer for LinkedIn Learning, he regularly creates online courses aimed at professionals and administrators.

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This $20 page turner will change the way you use your Kindle

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Datafy remote page turner for Kindle tablets e-readers and phones

Image: Datafy

, Contributing Writer

Gabriela has focused on tech writing for 12 years, covering news, reviews, buying guides, deals, and more. She has bylines in numerous consumer tech publications, including PCWorld, Macworld, PCMag, IGN, MakeUseOf, XDA, Android Police, and Pocket-lint.

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Why DSP technology isn’t the future of TV advertising

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Sponsored by Tatari  •  July 25, 2024  •

Philip Inghelbrecht, CEO, co-founder, Tatari

Programmatic and DSP technologies have redefined digital advertising and upended a historic direct sales model that closely linked brands, their media agencies and publishers. Reliance on demand-side platforms and the need to reach consumers across a fractured TV landscape are happening simultaneously, but these two forces are often at odds.

The DSP has become a must-have tool, allowing brands to emphasize audience targets and execute digital campaigns automatically and efficiently. While DSPs are remarkable tools for executing digital media campaigns, they don’t seamlessly translate to TV and provide the same functionality in that environment. As such, DSPs may never fully be part of TV advertising’s future because of limited transparency, reach and scale, among other factors. 

Instead, advertisers will need other tools and strategies to execute their TV buys.

Direct connections between brands and publishers foster efficient collaboration

Demand side platforms were initially built to target unlimited inventory across multiple fragmented channels for online advertising. Even with the explosion of streaming and FAST channels, TV remains much more concentrated. Historically, TV advertising has been purchased directly from the network or publisher. This pattern has held for the rise of streaming, where the biggest players sell their inventory directly. 

Many buyers and sellers prefer these direct connections. While the automation isn’t as extensive as programmatic, they have built their workflows around submitting IOs and working without intermediaries, eliminating the need for a DSP.  

More importantly, by working directly with each other, brands and publishers have deeper and stronger relationships. This allows them to discuss budgets, explore program integrations, enhance data pipes, etc., contributing to more efficient and transparent campaigns.

Programmatic costs eat into buyers’ budgets

One of the biggest criticisms leveled at buying platforms is the fee structure. DSPs charge a 15-30% fee, while SSPs charge between 10% and 20%. That’s 50% of spending evaporated into fees rather than media. 

Brands using managed services provided by the DSP could pay another 17%. There is also an ad-serving fee, which is universal in programmatic but has yet to be widely discussed. The latter typically falls between 5% and 10%, so buyers sometimes pay an additional $0.75 CPM. Buyers starting with a $10 gross platform bid CPM can quickly watch their effective CPM climb north of $20 due to these fees, more than doubling the cost of the campaign.

DSPs do not support linear inventory, limiting reach and scale

Despite linear’s decline, TV isn’t a digital-only format. 

Linear TV still draws eyeballs and only fell below 50% of the viewing share for the first time last year. With CPMs that are more affordable than many advertisers expect, linear is an efficient way to drive performance. Modern TV advertising is all about convergent TV — a blend of linear, cable, streaming and online video — ensuring that advertisers get their desired reach and can then analyze and optimize their full TV results in one place.

DSPs, for all of their capabilities, cannot access linear inventory. Buyers who use a DSP for streaming or online video must find an alternative solution for their linear campaigns. Otherwise, those buyers only reach a subset of the TV audience that relies on streaming rather than the total audience. They also need scale. Most flagship live events with the greatest reach still happen on linear TV, including the Super Bowl, the Oscars, the Grammys and others.

DSP technology enables costly fraud

Despite programmatic automation and efficiency, it also creates layers between the ad buyer and seller. One campaign could have ads running across thousands of websites. This lack of transparency makes it easy for unscrupulous actors to game the system and profit off schemes that charge advertisers for ads that a real person never views.

The ad industry has learned to live with some level of fraud in display programmatic, but that ship won’t sail on TV. CPMs are simply too high in TV to accept any level of fraud as the cost of doing business. When media is traded directly between publisher and brand (or without the need for a DSP), fraud is a non-issue.

Despite the automation, these issues make it clear that purpose-built digital DSPs don’t fully match up against old-school direct transactions. Successful TV advertisers are incorporating TV-specific tools—Tatari is one resource—to execute their convergent TV buys. DSPs are mostly a narrative that the digital world is trying to impress upon TV marketers.

Sponsored by Tatari

https://digiday.com/?p=550948

More from Digiday

Where Kamala Harris and Donald Trump stand on big tech issues

The next U.S. president is going to have a tough job of reining in social media companies’ dominance and power enough to satisfy lawmakers and users, while still encouraging free speech, privacy and innovation.

Why Esports World Cup sponsors aren’t in it for the viewership

Over the past month, the Esports World Cup has announced a veritable who’s-who of major non-endemic sponsors, including PepsiCo, Mastercard, Unilever, Amazon and Adidas. Instead of focusing on viewership, brands such as PepsiCo and Mastercard told Digiday that they sponsored the event in a bid to build a long-term connection with the gaming community in the Middle East.

Gaming’s rise at San Diego Comic-Con reflects a broader cultural ascendance

This year, many of San Diego Comic-Con’s attendees will be gamers. Forty-eight percent have expressed an interest in games, making the medium the third-most popular entertainment format among event attendees, after movies and television shows, according to data shared by YouGov.

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Media Briefing: Publishers reassess Privacy Sandbox plans following Google’s cookie deprecation reversal  

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This Media Briefing covers the latest in media trends for Digiday+ members and is distributed over email every Thursday at 10 a.m. ET. More from the series →

Just last week, publishers told Digiday that allocating resources to testing Google’s Privacy Sandbox in-house was not worth the effort

But Google’s announcement on Monday to reverse its plans to fully deprecate third-party cookies from its Chrome browser seems to have, in turn, reversed some publishers’ stances on the Privacy Sandbox. 

“[The Privacy Sandbox] is something we’re going to focus our attention towards,” said Amit Grover, head of programmatic partnerships at Quizlet. Until now, the publisher has been testing other cookieless solutions, not the Privacy Sandbox, he added. 

One silver lining of Google’s consistent timeline pushbacks of cookie deprecation over the past four years was the fact that it gave Grover’s team time to implement most of the major cookieless solutions they wanted to test. “We feel like we’re in a good place [with other cookieless solutions on Safari and Firefox], so we can shift our focus to learning [and] testing Privacy Sandbox,” he said.

Even though full cookie deprecation isn’t coming to Chrome as publishers expected, the uncertainties around the timeline for this new proposal, as well as how users will react to it has put a blindfold on publishers. The previous deprecation timeline at least provided publishers with the gradual deprecation of third-party cookies from 1% to 100%. But leaving it up to the user eliminates the guarantees of how many users will be addressable or if it’s going to be a big change occurring all at once versus a slow rollout, which is hard to plan for and worrisome. 

“​​The timeline was such a friend of the publisher as the forcing function,” said Scott Messer, founder of media consultancy Messer Media.

For other publishers, testing in the Privacy Sandbox has always felt like an inevitability, but the lack of adoption on the buy side, coupled with reports from companies like Criteo and Index Exchange that showed revenue declines of 33-60%, kept them from earnestly dedicating time and resources to it.

Test test test

It’s notable that publishers are declaring now that it’s time to experiment with the Privacy Sandbox, considering Google’s announcement theoretically alleviates some of the need for its cookieless solution by giving users the ability to keep third-party cookies around longer. But publishers are convinced that by giving the choice to Chrome’s users to opt out of third-party cookies, non-cookied inventory on the browser will increase drastically, possibly by as much as 80% — and possibly overnight depending on Google’s rollout plans. And that puts more pressure on publishers to get their cookieless ducks in a row.

Three publishers and two media consultants told Digiday that they are telling their teams or clients to continue testing the Privacy Sandbox, while also using this time to shore up other cookieless alternatives like ID bridging, data clean rooms and deterministic identifiers. 

“I would recommend to a lot of my pubs to continue keeping up with [the Privacy] Sandbox, but spend more time investigating and testing all the other alternatives because we don’t know the timing of Sandbox,” said Messer. 

“I was always going to support the Privacy Sandbox,” said one publisher who spoke on the condition of anonymity, but added that until now, they’ve found it too challenging to draw conclusive results from the Sandbox while cookie deprecation on Chrome hovered at only 1%. Therefore their tests remained passive and as part of larger studies with ad tech partners.

The challenge, though, is what this change will do to the already poor show of support of the Privacy Sandbox on the ad tech side, not to mention the buy side, which is now able to cling to third-party cookies longer, the publisher added.

“Because there is no hard deadline [for deprecation] … I just think overall, this could have an impact to the effectiveness of what that solution becomes. I don’t doubt that Google will continue to invest in it, but will this impact what was already a challenging landscape of support? I think that it will,” the publisher said. 

IP address uncertainty

Another reason why publishers are leaning toward the Privacy Sandbox now is because of what Google’s announcement indicated about blocking users’ IP addresses, which are used in other cookieless targeting solutions like ID bridging or probabilistic identifiers, a second publishing exec said on the condition of anonymity.

According to Google’s blog post that laid out its Privacy Sandbox and Ad business proposal, the company intends on extending IP Protection (currently a part of Privacy Sandbox) to Chrome’s Incognito mode. And while the timeline is also unclear on this change, the post said: “IP protection won’t launch as a default setting for Chrome users before 2025.” But if it’s a default setting, that will have another impact on user addressability.

“An IP address is probably being used in a probabilistic ID … There’s a very good chance, from a publisher perspective, that that’s being used. So there’s a big question of how identifiers will be now looked at,” the second publisher said.

‘Still needs a lot of work’

For The Globe and Mail, the Privacy Sandbox has been pretty well tested at this point, according to head of ad tech and performance media Pritesh Jumani, but its current status leaves a lot to be desired. 

While he declined to share exact figures, Jumani said that eCPMs through the Privacy Sandbox were “quite low” compared to third-party cookie inventory, and only marginally better than Safari eCPMs. 

Therefore, while the Privacy Sandbox is still enabled, Jumani said it “still needs a lot of work” and is viewed as an additive to other cookieless targeting solutions that his team uses, including data clean rooms and first-party data. 

What we’ve heard

“There are a lot of problems in ad tech [that] survive because of third-party cookies. Look at MFA and all of the issues that are there. They’re existing because of third-party cookies. And if buyers continue to be reliant on those strategies, it’s going to affect programmatic as a whole.” 

– An anonymous publisher who was eager for full cookie deprecation from Chrome

Publishers’ wish list for Google

Google’s announcement on Monday left a lot to the imagination when it comes to timelines, messaging and execution of its new approach to removing third-party cookies from Chrome.

While the decision to have third-party cookies on the tech company’s browser will ultimately be left to Chrome users, publishers said they want a say in how that decision is presented to users.

Below are some of the top questions and wish list items that publishers have for Google: 

  • Tell us the timeline 

Not only did the early 2025 deadline for cookie deprecation go out the window with Monday’s announcement, but so did any semblance of a timeline for when changes will come to Chrome.

“A timeline would be great,” said a publisher who spoke on the condition of anonymity.

  • Focus on education, not fear mongering

Since it will be up to Chrome users to decide whether they will allow third-party cookies, publishers said they want Google to be thoughtful in how they’re telling users about this change and highlight the fact that allowing ad targeting helps maintain a free and open internet.

“If they take an approach like Apple, [which] made it seem really scary to have your data tracked, that would encourage people to opt out,” said the publisher.

  • Allow us to provide feedback on the proposal

Similar to how publishers were granted access to round table discussions and working groups for the Privacy Sandbox, publishers said they want a seat at the table for Google’s latest proposal too.  

“I hope that they at least allow the community to continue to add our thoughts to this, because it is important how it’s rolled out and how it’s perceived by the user,” said Ryan Maynard, vp of programmatic sales operations at Raptive. 

  • Figure out the least disruptive messaging strategy to users when presenting them with the choice 

Publishers aren’t yet sure whether it will be better for their businesses if users are presented with the option to allow third-party cookies at the website level or the browser level.

Regardless of where the question pops up, publishers agree that the user experience is going to play a major role in their decision. “If it’s a whole bunch of words, they’re most likely not going to read it. They’re just going to click the biggest and shiniest button,” said Quizlet’s Grover.

Numbers to know

4%: The portion of Meta’s annual revenue in EU countries that the company might have to pay as a fine in the EU for misleading users that Facebook is free under its ‘pay or consent’ model.

500: The number of staffers that the BBC plans to lay off by March 2026.

$54.6 million: The amount of organic revenue LBG Media, owner of LAD Bible and Betches Media earned in the first half of 2024. 

626 million: The total monthly active users on Spotify at the end of the second quarter.

What we’ve covered

Why Google’s cookie deprecation reversal isn’t actually a reprieve for publishers:

  • Eleven publishing execs told Digiday that they would be maintaining or increasing their tests of cookieless targeting alternatives, including Google’s Privacy Sandbox, as a result of the announcement. 
  • But as frustrating as the decision reversal might be, ultimately, the publishers feel that their work to alleviate revenue dependencies on third-party cookies has not been in vain.

See publishers’ reactions to the Google news this week here.

After years of uncertainty, Google says it won’t be ‘deprecating third-party cookies’ in Chrome:

  • In an “updated approach” announced in a blog post today, Google revealed it won’t be “deprecating third-party cookies.” 
  • Instead, it’s introducing a “new experience in Chrome” that lets users make an informed choice across their web browsing, which they’d be able to adjust at any time.

Read more about Google’s third-party cookie reversal here

Google’s privacy shift on third-party cookies sparks concerns of Apple-like control:

  • Google’s evolving stance on privacy seems to be mirroring Apple’s, using it both as a shield and a sword.
  • In other words, Google’s not exactly killing third-party cookies; it’s just handing the job over to the users.

See why Google’s proposal mirrors Apple’s previous moves here.

Ad world is relieved but skeptical about Google’s decision to keep cookies in Chrome:

  • The pivot caught many by surprise given Google had sworn it would happen, regardless of the multiple delays.
  • Google, it appears, has cooked up something that seems, at least on the surface, to mimic Apple’s plan to stamp out third-party tracking on its devices.

Learn how the ad world reacted to the Google news this week here.

What we’re reading

Wall Street Journal reporter Evan Gershkovich receives a 16-year sentence in Russia: 

After being detained in Russia in March 2023, Gershkovich was accused and convicted of espionage by Russian officials and received a 16-year-long prison sentence, Business Insider reported. The U.S. government as well as The Wall Street Journal have denied that Gershkovich was acting as a spy.

BuzzFeed sells its Bring Me! franchise to travel media company Lost In:

BuzzFeed is continuing to sell off pieces of its portfolio in an attempt to rightsize its finances, Adweek reported. Its travel franchise, Bring Me!, was sold for an undisclosed sum to Lost In, which was the second acquisition for the travel media company. 

AI search engine Perplexity receives another publisher cease and desist: 

Condé Nast is the latest publisher to accuse Perplexity of copyright infringement by publishing its content in the AI search engine’s results without permission, The Information reported. 

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Nexxen adds CTV tools to tap into political ad market growth

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By Marty Swant  •  July 25, 2024  •

As ad tech companies compete for their share of record spending in political advertising, more CTV players are hoping new tools will help them win over candidates’ wallets up and down the 2024 ballot.

The latest updates come from Nexxen, an ad tech firm, which today is debuting new tools for political advertising that let campaigns geo-target voters by political districts and provide ways to optimize campaign end times within their flight schedule. The company — which provides digital video and CTV services for advertisers — also has two new audience partnerships, including one with Comscore and another with News Corp. Another added feature is a new political dashboard that offers real-time analysis of national and state-wide candidates as well as the ability to measure shifts in public sentiments and content engagement. (Nexxen was previously known a Tremor International until rebranding last year.)

The goal is to help campaigns craft ad strategies based on trends or to target people with ads depending on which candidates they support, according to Ariel Deitz, Nexxen’s vp of enterprise partnerships. She wouldn’t disclose Nexxen’s total revenue from political ads, but said it’s one of the “core pillars of the business” for 2024, with the political team comprising up to a fourth of the company’s enterprise sales team.

“Instead of spending millions of dollars on a particular issue that we believe to be important to a particular voter base, it helps to really inform the strategy on where [campaigns] should be focusing their attention,” Deitz said. “The discovery tool and political dashboard tool not only help understand sentiment, but also understand what consumption patterns look like.”

After U.S. President Joe Biden announced his withdrawal from the presidential race last weekend, Nexxen used its platform to analyze trends in the political/government genre from July 21 to July 22 to look at Hispanic/Latino demographic and the general population. Both groups showed a 1,000% increase in consuming content related to the term “Democratic Nominee.” Hispanic/Latino viewers were found to be engaged with the term combined with “reproductive policy” while the general population focused more on “election strategy.”

Nexxen is one of many ad-tech firms that have added new ways to ride the wave of how political campaigns are spending on connected TV and other digital media. Comscore, The Trade Desk, LG and Magnite have all debuted new tools and partnerships in the past year. Another is Cross Screen, which announced separate targeting and measurement deals with L2, Roku and LiveRamp. Others include Yahoo, Televisia and StackAdapt, which also integrated Samba TV’s real-time political audience segments earlier this year.

As recently as last month, eMarketer projected CTV political ad spend to reach $1.56 billion in 2024 and account for 12.6% of total U.S. political ad spend this cycle. That’s a fivefold increase in CTV revenue compared to 2020, when CTV accounted for just 2.7% of overall political ad spend. In a separate report from AdImpact and LG released this month, CTV ad spending on political ads could reach $1.34 billion, up 24% from the 2022 midterms. That’s higher than the $1.2 billion AdImpact expects this cycle for digital platforms like Google and Facebook.

In Biden’s absence, the prospect of U.S. Vice President Kamala Harris becoming the Democratic party’s nominee adds yet another layer of uncertainty to an already volatile political cycle. Experts say it’s too early to know how the recent shakeup could impact overall ad spending, but there’s a lot of ad money on the table already this election season. According to eMarketer, political ad spending could reach $12.3 billion this year, with 28.1% spent on digital platforms. The research firm also expects around 90% of digital ad spend directed toward programmatic formats.

The growth of CTV is both a continuation of the past cycles, said Paul Verna, an analyst and vp of content at eMarketer. It’s also the result of political campaigns and interest groups targeting millennial and Gen Z audiences that are much more active on CTV than linear TV.

“I expect Vice President Harris’ campaign (assuming she’s confirmed as the nominee) to spend heavily on CTV as she works to (re)introduce herself to young audiences and energize that part of the electorate,” Verna told Digiday via email. “Although the past month has brought a flurry of game-changing developments in both campaigns, we don’t expect to revise our forecasts as a result of these events.”

The stakes also are higher for political campaigns for for non-political brands. While a CPG marketer can make changes in the next financial quarter, candidates risk not just wasting money but also risk losing votes. According to Viant Chief Marketing Officer Jon Schulz, geo-bound ads are key for making sure Missouri-focused ads don’t show up in Michigan, but getting locations right is especially important for reaching undecided voters. 

“If you don’t eat potato chips but you happen to get a potato chip ad, would it really make you that mad, or would you just ignore it?” Schulz said. “The consequences are a little bit greater [in politics]. It’s not just a wasted impression. It could be motivating somebody to go post on their social media and go, ‘Look what I got.’”

Beyond data-driven ads, content-based contextual targeting also is gaining traction as more companies use visual AI to identify content and create audiences segments with large language models. That could help target the right voters and avoid alienating them with attack ads or irrelevant issues.

One example is Iris.TV, which is helping candidates reach viewers on both subscription-based streaming and free ad-supported television (“FAST”) channels. While targeting can be tricky for some demographics like younger viewers, IRIS.TV CMO Rohan Castelino noted Black and hispanic viewers skew higher with free ad-supported content. One way campaigns are using contextual targeting is to reach single-issue voters, but matching the ads and content is especially key for CTV.

“You obviously want to match to make sure tone and sentiment is matched so you can at least know that probably the best place for [an attack ad] is not placed in happy content,” Castelino said. “Maybe it’s aligned for more somber and sober stuff. The last thing you want to do is reach the right household at the wrong moment. You kind of do a self-own if you show content that’s not jiving with the vibe.”

https://digiday.com/?p=550847

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Medical apparel brand Figs finds a new Olympics ad opportunity in heart-rate monitors for athletes’ parents

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By Sam Bradley  •  July 25, 2024  •

Ivy Liu

At this year’s Olympic Games, one advertiser is pushing brand sponsorships into previously unclaimed territory: The human heart.

Figs, a U.S. apparel brand that provides scrubs to medical personnel, will be the first brand sponsor of a heart-rate monitor, which will be strapped to the parents of select athletes as they watch from the sidelines and and whose data will be shown live on NBC and Peacock.

The feature, dubbed “The heart of the moment,” is both a broadcasting and advertising first for parent firm NBCUniversal. Details around how the monitor will actually show up on viewers’ screens, and which lucky spectating parents will be chosen, remain unclear. Other than telling Digiday the company is “grateful” to have brought sponsor Figs onboard, a spokesperson for NBCU didn’t divulge further information.

For Figs, there’s more than just a logo placement to this unusual media investment. The brand’s Olympic Games ad campaign, which will include an anthem spot on NBC, Peacock and Hulu, uses the tagline, “It takes heart to build bodies that break records.” Bené Eaton, Figs’ CMO, said that the sponsorship would help extend that message “beyond the film and into the live broadcasts of the games.”

Furthermore, as a medical apparel supplier, Figs’ marketing team is keen to associate the brand with health care expertise, an ambition that has also led it to sponsor the U.S. Olympic medical team.

Audiences will be inundated with Olympic messaging over the next few weeks, as brands big and small look for new routes to reach viewers attracted by the games. And there are few elements of NBCU’s Olympics coverage that have not already been colonized by advertisers, so much so that the fact it’s broadcasting the first hour of the opening ceremony uninterrupted by ads was itself cause for a press release this week. (The abstinence is set to be “supported” by five of its Olympic sponsors, the logos of which will be shown for 10 minutes each throughout the hour.)

In the background, NBC is working hard to “humanize” the Olympics in Paris this year, said Alex Charkham, chief strategy officer at Omnicom specialist sports agency Fuse.

“It’s about creating things that are talkable, that drive interest,” he said. NBCU is also set to shake up its commentary staff, adding celebrities such as Jimmy Fallon and Snoop Dogg to its on-screen talent roster.

The Figs-sponsored heart-rate monitors will help NBC bring “relatability,” said Charkham, to a sporting event that otherwise focuses on pushing the limits of human physicality.

“It’s very hard for us to relate to any athletes, but many people can relate to what it’s like watching your kids perform, and the trials, tribulations and nerves that you go through,” he said. “From a commercial standpoint, that then brings in a whole new raft of opportunities because of that story.”

Dan Conti, head of sports marketing at media agency PMG, said in an email that NBCU has a job on its hands to attract and keep viewers’ eyeballs on Paris this summer. A strong performance, he suggested, would prove to advertisers that live sports on Peacock are a worthwhile investment.

“The stakes are high coming off Tokyo, which was the least watched summer games on TV, but was also the most streamed ever,” he told Digiday. “Positive results can bring in a new wave of Olympic advertisers in future years to have a presence in and around the games.”

The heart-rate monitors are part of that effort.

For Figs, they’re part of a wider plan to break through at the Olympics. The brand is the first advertiser to officially sponsor the U.S. Medical Team, and is outfitting the 250-odd medical pros accompanying American athletes to Paris with bespoke uniforms in a deal that’s set to last to 2028.

“We saw an opportunity to outfit these individuals who are building bodies that break records, who are working and dedicating their craft and their passion and their lives to these athletes,” said Eaton.

She declined to share details of the brand’s budget, but said it is planning a “robust” media campaign to back up the partnership.

In addition to the sponsored heart-rate monitor, uniforms and anthem spot, Figs will also deploy a 400-strong roster of health care influencers and an out-of-home campaign intended to target health care professionals on their way to and from work at some of the biggest hospitals in the U.S.

The brand is set to buy digital OOH and traditional OOH inventory that will be visible from commuter routes into hospitals in Los Angeles (with a focus on freeway placements), Philadelphia (which includes buses) and New York (on select public transit routes).

The cities were chosen because of their “saturation” of hospitals, Eaton said. “We’re looking at where we can show up for our community,” she added.

https://digiday.com/?p=550816

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Where Kamala Harris and Donald Trump stand on big tech issues

The next U.S. president is going to have a tough job of reining in social media companies’ dominance and power enough to satisfy lawmakers and users, while still encouraging free speech, privacy and innovation.

Why Esports World Cup sponsors aren’t in it for the viewership

Over the past month, the Esports World Cup has announced a veritable who’s-who of major non-endemic sponsors, including PepsiCo, Mastercard, Unilever, Amazon and Adidas. Instead of focusing on viewership, brands such as PepsiCo and Mastercard told Digiday that they sponsored the event in a bid to build a long-term connection with the gaming community in the Middle East.

Gaming’s rise at San Diego Comic-Con reflects a broader cultural ascendance

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As influencer marketing grows, so do micro-influencer rates: ‘there have been 10-20% fee jumps year-over-year’

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As influencer marketing continues to grow up, taking in more marketing dollars, smaller influencers are asking for a bigger piece of the pie — sometimes double or trouble the rates they charged back in 2021, ad execs say. 

Two or three years ago, when influencer marketing was taking off, the average payout for TikTok micro-influencers (those with followings ranging from 5,000 to 20,000) ranged from $1,000 to $3,000 per post, according to Krishna Subramanian, CEO and co-founder of Captiv8 influencer marketing agency. Today, that figure has increased to range from $3,000 to $5,000. 

Mostly, industry experts say the uptick in costs is because influencer marketing has matured, becoming a mainstay in ad budgets. As more advertisers are willing to shell out for influencer content, asking for content usage rights and exclusivity, the more money influencers are asking for.

Agency execs also point to increased pay transparency, in which influencers openly talk about their brand deals, improved tracking and metric tools, and fees for agency representation for influencers of all sizes. Influencers are also more informed about their usage rights, or permissions that influencers grant brands to use their content, per execs. 

Influencer partnerships have also evolved beyond social posts to sometimes include asks like event attendance, appearances, brainstorming calls, content usage rights, creating owned content for the brands. “The deals we’re doing today look very different from the ones we were crafting a few years ago, and these types of deals demand more from both parties,” said Bea Iturregui, vp of creator and brand partnerships at creator marketing agency Cycle, in an email.

However, costs for celebrity and macro-influencers (between 100,000 to one million followers) haven’t seen the same upswing in costs, said Nisrin Mazlumovic, U.S. team lead at The Influencer Marketing Factory, an influencer marketing agency. Likely, Mazlumovic said, because influencers with bigger followings have historically charged based on the size of their audience and that has yet to change. The aperture has opened for influencers with 100,000 or fewer followers due to the aforementioned points: increased pay transparency, better measurement tools, usage rights, and the prioritization of engagement rates over follower count. 

A growing price hike

All said, influencer marketing has become more of an ecosystem in which activating an influencer costs more than just an agreed-upon rate per post, said Kelly Dye, vp of influencer strategy at Acorn, a part of the digital marketing agency New Engen. 

“As creators become more savvy about their business, additional fees are causing many of the increases, such as content rights for the brand, cost of ad access to the influencer’s handle, exclusivity for product category, etc.,” she said in an email. “In the decade-plus, I’ve been in the industry, there have been 10-20% fee jumps year-over-year.”

By the end of this year, U.S. marketers are expected to shell out $7.14 billion on influencer marketing, marking a nearly 16% increase from the $6.16 billion expected last year, according to Goldman Sachs Research. By 2027, that figure could approach half a trillion dollars.

Digital marketing agency TandemTide inked several deals with smaller influencers a few years ago for roughly $1,000 to $3,000 each for a package of a video review and post or two across social channels, said Brandy Alexander-Wimberly, director of client innovation at TandemTide. Now, the agency is getting quotes between $3,000 to $5,000 and beyond for that work, she added. 

Loops Beauty says rates have increased for micro-influencers, which they classify as those with between 10,000 to 50,000 social media followers, since 2022. Back then, a social post ran anywhere from $250-$500. By 2023, those figures had hiked to between $500-$1000 per post. This year, a single social post from a micro-influencer could cost $2,500, according to Meg Bedford, CEO of Loops. 

“As the landscape continues to evolve, we’re seeing influencers’ rates increase for content in general, and we’re specifically seeing the uptick in TikTok video posts and content usage rights,” Bedford said in an email. She pointed to two factors contributing to the costs: rate transparency amongst influencers and advertiser’s desire for specialized, targeted content, both of which help influencers justify higher rates. 

Offsetting costs

Influencer marketing isn’t new. However, its maturation was spurred by the pandemic lockdown as people spent more time online and influencers became a direct line to the audiences that brands were trying to reach. That said, there’s yet to be standardization across the industry for influencer marketing pay scales even as influencers are pushing to standardize their pay, negotiating tighter contract terms and implementing late fees. 

“In the past, payment rates were typically determined by the number of followers, but now we see that rates don’t align with any particular formula,” said Olivia Pollock, senior brand director at Evite, a social planning website. Marketers have shifted ROI metrics away from follower count to more focus on engagement to determine how an influencer’s content could perform.

Even as costs go up, spending shows no signs of slowing. To offset rising, and largely ad hoc, pricing in influencer marketing, advertisers are eyeing brand ambassador programs, locking in pricing via longer-term contracts, gifting products in exchange for posting, and repurposing influencer content across paid media, client socials, and more. 

For example, Dagger ad agency uses what they call range tiers to negotiate and leverage added value, platform distribution, and other factors, like usage rights and exclusivity to get more bang for their buck, according to Marla Ramirez, senior influencer strategist at Dagger. Meanwhile, Evite opts to work with influencers who provide broad usage rights to the content produced, said Pollock. There’s also more collaboration between brands, where brands are collaborating with others on influencer marketing efforts to expand their reach and find cost savings. 

“Yes, the prices are increasing. People are buying it. I haven’t seen yet the decrease in people wanting to invest,” said Rachel Brandt, managing partner and co-founder of Corner Table Creative, a creative agency. “I see more creativity around it, you’re supplementing it in different ways, but there’s a value exchange that we need to seriously consider and think about.”  

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